We’ve been on a cleaning and drying spree after Hurricane Irene let part of the Atlantic ocean into our basement. Let there be no illusions about this work – the basement clean-up has been a long, long time in coming. Irene and her shenanigans merely forced our collective hand. If you want an idea of how we’ve been using our basement, you need look no further than Arlo Guthrie’s seminal work “Alice’s Restaurant Massacree.”

If you remember, Alice and her husband Ray lived up in the bell tower with Fasha the dog, and left all their garbage in the church below.

"Havin' all that room, seein' as how they took out all the pews, they decided that they didn't have to take out their garbage for a long time."

You can almost make this simile into a mathematical equation:
If I = Alice, my husband = Ray, Esther = Fasha the dog, then the basement = the church, where the pews used to be, and there must be a LOT of garbage down there.

Going through it all is an interesting process. Often it’s been distressing  (we’re replacing a lot of appliances this week), sometimes depressing (for some reason, I was deeply saddened by the loss of my Christmas wrapping paper), and occasionally, felicitous. (Buh-bye, husband’s ginormous speakers that look like Stonehenge! Au revoir, unwanted furniture that we couldn’t get rid of because sometimes we need extra chairs! Peace out, box of random stuff that we were keeping for unknown reasons!)

Sometimes, this clean up is just interesting. I spent part of this morning, after dragging soggy crap up from the basement and before coming up to my (thankfully) dry office to start work, cleaning old photos. This was a great job, mostly because it was a less nasty alternative to cleaning out the food in the upturned chest freezer downstairs.

They were pictures of my husband’s family, mostly photos from the ’60s, and I had to separate them, dunk them in fresh water and lay them out quickly to dry. This felt like an amazing amount of responsibility because these are old photos that had been floating in saltwater. There are no negatives, at least not on this side of the Mississippi, and many of the people and places in the photographs are long gone. One false move with the tweezers or a thumbnail and someone could lose a face, or a head, or an aunt, sitting at the kitchen table.

We were lucky. We only lost a few. I laid the survivors out on newspaper on our kitchen table. I’ve never understood people who are willing to go into their burning homes to try and save their family photos, but this morning, as I stood, looking at the mosaic made up of all these people I’ve heard about, but have never met, I realized why. These are faces that will never be seen again. Some are deceased, some are just changed. My husband will never be a little boy again. That big turtle will never cross the dirt road in front of that house again. Those people will never again gather to sit on the back of that truck and smile.

And even if the people in the photographs remember sitting there, with those smiles and each other, there will be people like me, who weren’t at the party, but wanted to feel as though they were.

This is just the first batch. There are much older photos in the basement, photos of nameless turn-of-the-century girls with fishing nets and bathing costumes and  vaguely familiar facial features. I know they’re down there, but we haven’t found them in the debris. I’m not sure we’ll be able to save those, but I will try.

We were going to stay. We might have been fine if we stayed.

But when the City of Bridgeport ordered a mandatory evacuation on Saturday afternoon to people in my neighborhood ahead of what was, at that point, Hurricane Irene, I decided that we weren’t going to take our chances with the storm. We packed our bags and headed to my family’s place.

We were back in less than 24 hours. The storm seemed like it had been over-hyped. We didn’t see any downed trees or accidents on the highways. Everything was great. Then we  turned onto our street. The Long Island Sound, which normally keeps to itself,  had come inland, about half a mile.

Usually, when you stand in this spot, you're looking down at the Long Island Sound, not wading in it.

Our whole neighborhood was under water. We parked the car several blocks away and started wading. I had visions of our living room furniture floating, or worse, of our house tilting in the saturated soil, and falling over, like so many trees shown on the news.  But when we stepped out of the water and onto the porch, we realized those fears were unfounded.

We shone our flashlights into  the basement. It was flooded almost to the top. Paint cans and other debris floated by. We couldn’t see it, but our washer and dryer and the big chest freezer had floated up and tipped over. It all seemed like a little too much right then. I’m not sure what pushed me over the edge. Maybe it was all that water, reflecting the light from my flashlight back up at me. Maybe it was watching a pitcher I’d used for drinking water floating by in the filth, but that’s when I began to panic.

And I realized something. Some people should not have a phone when they’re drunk. Some people should not have a phone when they’re hormonal. I should not have a phone when I’m panicking. Fueled by a rush of fight-or-flight adrenaline, I promptly called my mother and reported to Facebook that the house was under water. Sorry, Facebook friends. Things were not nearly as bad as I felt they were at the moment. You all did not need to read my fear-fueled updates.

Things didn’t end up being so horrendous. Two of our closest friends, whose own power was out, had us over, grilled us some hot dogs, and came back to our house with their pumps and a case of drinking water. Our neighbor let us use her electricity. I hope that someday we can be as much of a help to them as they were to us.

This is what it looked like before the drains were cleared.

This is the best part – it was our neighbors and friends who cleared our street of water. The gentleman who lives across the street from us waded out with a broom and began pushing away the debris on the closest storm drain and then clearing leaves, fallen branches and garbage from the drain with his hands. We heard bubbling from the center of the street. Several of us rushed out with rakes and sticks and poles and our hands and spent the next hour pulling leaves out of drains. You’d clear one and there’d be a sudden strong pull on your hand as the water began to fall from the street into the sewer below. And then, if you’d cleared the drain enough, a small whirlpool would appear. People came along and took cell phone videos of us, standing up to our thighs in floodwater, clearing drains. I’m sure we’re on YouTube somewhere. Within a few hours the street had drained completely. We would still have standing water if it weren’t for our neighbor’s idea.

This morning, I took a walk down to the small, usually nasty beach at the end of our street. I had to walk through some weird Lovecraftian muck to get there, but when I did, I was surprised. The beach was higher than usual. There was about a foot of new, clean sand. The water was still and shining and the sun was out. A beautiful beach after an awful storm is so cliché; the writer in me was sickened. But the Bridgeport resident who’s had enough of clouds and brackish water was happy to see it.

I once read an article which said that people don’t like to read positive, inspirational blog posts.  Well tough noogies. Here are some lessons I learned yesterday:

– There are no winners in an argument about whether or not you should evacuate your home.

– If you can pack for a mandatory evacuation, you can pack for anything.

– Mandatory evacuations are not actually mandatory.

– We are a nation of idiots with cameras in our cell phones.

– Good friends are the best resource ever.

– Knowing and being willing to help your neighbors is the smartest thing anyone can do.

– Teamwork can clear a flooded street a lot faster than Public Works can.

"Freeze, Protagonist. Freeze for seven years."

This isn’t going to be a super-long post. It’s not going to be like my criz-azy long essay on Home Ec class, or how the story of the immaculate conception used to terrify me. This is going to be a relatively short, Phil Lemos-like post about what I did this evening.

Tonight, I finished a writing project that I started, and then abandoned, in 2004. It was an big project for me at the time, because it was the first story I presented in my very first writers’ group, and it was also the piece that introduced me to the three ladies who would become my longest-running writing group and some of my best friends.

I think I’ve mentioned that I have a problem finishing my stories. This particular piece was the poster child for all my aborted projects. I wrote it right to within an inch of the end. The heroine was in the woods. The gun was pointed at her. She had a lot of feelings about this. And then…  I stopped writing. I just left homegirl in the woods, at gunpoint, just like that, and closed the file for seven years. Sorry, protagonist. It’s been fun. Hope you like nature. Hope you like it a lot.

That piece has been bothering me ever since I closed the file in 2004. It became symbolic of all the projects I abandoned for no good reason. Well, no more. Prompted by a friend, I reopened the file, and spent a month revising and rewriting the thing. I did the last edits tonight. It’s done. My protagonist is finally out of the woods. (Literally. I changed the ending.)

None of my unfinished projects are safe now. I could tinker with any one of them at any point in time. You never know when I might strike.

Recently I’ve begun to suspect that I’ve been rejected.

Someone may have blocked me on Facebook. And not just one someone, but maybe as many as five someones. Maybe even more. And it’s eating my lunch. But my real problem is not that five people may have blocked me on Facebook. I’m irritated because I’m bugged by being blocked on Facebook. You follow? No? I’ll draw a diagram. Here.

I mean, really.

Why would I care? Someone blocked me on Facebook. Big deal. This shouldn’t be a problem for me, because it isn’t a problem.

First of all, if out of 450 “friends,” five have blocked me, that’s a pretty decent rate of acceptance versus rejection. Second of all, and more importantly, I don’t interact with the suspected blockers in real life. I expect to see a couple of them at assorted reunions, probably in the very distant future. The others I may never see, ever, again.

Some of these blockages are even mutual. I can think of at least one alleged blocker whose posts I’ve had hidden for a year. It wasn’t personal; I just didn’t want to see the graphic updates about the contents of her child’s diapers. Evidently she was equally unimpressed by all my clever status updates and scintillating blog posts. And we aren’t actually friends in real life. We never were. If you look at it rationally, our Facebook break-up is a win-win. But in the self-centered, personal propaganda world of Facebook, where everyone is your “friend” and  people are unable to “dislike” your photos, updates or relationships, being blocked comes as somewhat of a shock.

Why should that be? Most of us deal with rejection in the real world all the time. We interview for, but don’t get jobs. We don’t get complimented when we think we deserve it. We say hello to people on the street and they don’t say hello back. People give us the finger in traffic. And although these daily rejections are awkward at best and painful at worst, we deal with them.

I’m 33. Like most people my age, I’ve watched friendships crumble, relationships fall apart, been passed over for promotions. As a writer, I’ve gotten good at being rejected by magazines and journals. When I worked as a journalist, I got used to people being furious at or dismissive of me. But on Facebook rejection brings me back to middle school.

“They don’t like you,”  says the little voice in my brain, the one I heard all the time when I was 12 years old. “They don’t like you and they don’t ‘like’ you.”

This voice is not my friend. It used to hear classmates laughing a few tables over in the cafeteria and convince me that those kids were laughing at me.

“I thought you were dead,” I say to the voice. “I thought I left your mangled corpse on the streets of Spain in 1999.”

“You’re talking to yourself,” says the voice. “No wonder people don’t like you. Or ‘like’ you.”

And the cycle begins anew.

So really, what’s the deal with Facebook and rejection? My only guess is that our Facebook profiles are such manicured, Photoshopped versions of who we are. We post the most attractive or amusing photos of ourselves as profile shots, or else we post pictures of the things we want to show off: our kids, our wedding photos, our pets, our flower gardens, our priceless collections of stamps or brass military buttons. Our statuses are little flags we wave for attention. Our interests are carefully edited. And when someone rejects all that, when they block you, that can seem like a rejection of your highest self.

Except it’s not. It’s a rejection of your own personal propaganda. And if that bothers you, you probably need to get over yourself. I know I do.

Behold, Frankenshorts! It's aliiiiive! (I think the red box in the sewing basket is my old Home Ec "pincushion.")

This weekend I did a couple of things that I don’t do often. I baked meringues for my husband as part of a you-do-yard-work-and-you-get-cookies arrangement. I also — in a desperate and probably vain attempt to extend the lifespan of my favorite cut-off shorts — sewed a patch and re-sewed a seam.

Both of these activities made me remember my Home Economics classes in junior high. My district called our school junior high, and not middle school then, although by the early ’90s lots of school systems were switching over to the 6-8 middle school format, rather than the 7-8 junior high school model. We were taught Home Economics and Industrial Arts, which roughly translated to Cooking and Woodworking in the seventh grade and Sewing and Printing in the eighth. I knew from books and television and people in other towns that not all schools had these extras, and I remember wondering if we were weird because we did.

I didn’t think I needed Home Ec. I had already done baking projects at home. My mother, an accomplished seamstress and the granddaughter of a professional tailor, had already taught me a little about sewing. She taught me to work with patterns and sewing machines when I was in grammar school. We made doll clothes together during summer vacations.  Like many middle schoolers, I figured I already knew everything when I walked into Home Ec class in junior high school. Yet, today as I finish repairing the seam on Frankenshorts, I find myself tying off the thread with a knot taught to me by my Home Ec teacher, not my mother. I’m even using the same spool of thread and the same box of pins we bought when I started the course in the fall of 1991.

At the time, Home Ec seemed silly to me. I liked the break from regular classes, but I didn’t feel like I was learning anything useful. Our cooking curriculum seemed – except for one notable day when we made pizza – completely made up of cookies, learning measurements, and cleaning up. In our sewing class, we made pillows and stuffed animals from plush “kits” ordered from a catalog. I can’t deny that I enjoyed making pillows and bringing them home, but I still think the course might have been more absorbing if it featured some element of clothing repair. At 13, I was definitely interested in learning how to patch my beat-up denim jacket, in letting down the hems of my pants (I was too tall for almost all my clothes) and in fixing the holes in my favorite shirts before my mom used those holes as an excuse to throw them away. Our teacher had her own methods, and so we made the probably-less-controversial pillows.

Looking back at it, there was a feeling of fiefdom to my junior high school Home Ec classes. When you walked into the rooms on the Home Ec corridor, you were entering the teacher’s world. Sewing machines, mixers and ovens were fiercely protected. Names were assigned to things that didn’t need new names. Baking mix was called Master Mix. Anything that held pins was a pincushion, even if was a box or a bag or anything else that is manifestly not a cushion. There seemed to be this war, waged in semantics, that was constantly being fought, although I didn’t feel like the teacher was struggling against me or my fellow students. As a former schools reporter, I now wonder if that war was being waged against an administration that questioned the need for cooking and sewing classes in middle school.

I could be wrong about this theory. When I check out my old school’s website, I see that cooking is still taught. In fact, the most popular recipe from that course, beloved of even the most jaundiced seventh graders, is posted on the site. Cinnamon rolls. Mmmm.  Click here to download, and enjoy.

Sadly, there are no sewing classes listed. And I didn’t see many sewing classes in other schools when I covered education for the newspaper. As I finish work on Frankenshorts, I can’t help but think that sewing is really a valuable skill for anyone to have. Even if they learn on silly plush pillows. Even if all they know how to do is sew a stupid Band-Aid patch onto a pair of jeans. Sewing and cooking are a couple of useful skills and they will be until we evolve fur or photosynthesis.

Great minds think alike! Little did I know (until 10 minutes ago) that Brooke, the voracious reader who maintains the Books Distilled blog was also writing about Hollis this week. What are the odds?

Brooke, a talented novelist who is being mentored by Hollis this semester, reviewed Flesh (far more comprehensively than I) and interviewed Hollis about the novel and her process. Please check it out!

Today, I’ve spent a lot of time dodging people, and trying to make the time to write and revise. It’s imperative that I make the time work today, because I have a half-revised novella on my hands, and I’m due to send it out next week. The prose ain’t gonna polish itself, amirite?

But for some reason today has not been a day of quiet, thoughtful work. It’s been an obstacle course. My phone is ringing. The dog is needy. My neighbor would like to talk to me, right now. Another neighbor has decided to start mowing his lawn with the loudest lawnmower ever invented. My husband, busy with his own job, needs me to run an errand. On that errand, I run into people who want to speak with me and ask me how my summer has been and what plans I have for fall. When I come back, my cat has decided to impress me by attempting to eat a Nintendo DS charger. Sweet lord.

I understand that none of these (except for the charger-eating cat) are unreasonable things. Running an errand while my husband is busy is no big deal, it’s good that my dog is affectionate, and most people actually like to make small talk. It’s polite. They’re being nice. I’m the unreasonable one.

None of the people I met this morning know that I’ve been revising in my head since I woke up. None of them know that while they are talking about their plans for the rest of August, I’m thinking Do I just cut out the first two pages? But then how can I make the opium den believable? And do I really have to lose the part about the chickens on the Fung-Wah bus? I mean, come on. Everyone likes chickens.

No. The people I met this morning just think I’m a rude, distracted-looking woman who hasn’t showered today, and was late for my errand thanks to two wrong turns and a near accident. It’s probable they think I have a decreased mental capacity, or that I’m insane and need to be confined.

Evidently I think I need to be confined as well. Right now I’m holed up in my office, hunched over my laptop. I’ve seen myself in the mirror. I look like a crazy person. Maybe we should pad the walls in here.

Why am I writing this instead of revising? Two reasons.

First, because I need to vent. I’m afraid that if I don’t vent, I’ll burst into tears and shriek Leave me alone, I’m thinking about chickens and whisper videos, dammit! at the next person who asks me how I’m doing today.

Second, because I think it’s important to write and think about making the time to work. So often, I put off the things I want or need to do because people are calling me, or because I forget that writing is my job, or because I enjoy writing so much that it can sometimes feel like play. But writing is work, and in this case, for me, it’s serious work because someone is waiting for it. This is a discussion writers need to have often, because I think many of us forget that writing isn’t just fiddling around with a pen and paper or a keyboard. It’s serious work, and requires a commitment.

And now that I’ve said all that, I’m hitting the “publish” button and logging out so that I can get to work.

Now.

Two weeks ago, we went camping in the Berkshires with a group of friends. Since I’d just graduated, it was the first time I’d been on this camping trip without a book I had to read. So I picked up a book that I’d been meaning to read for a year: Flesh, by Hollis Seamon, who was my mentor during my final semester at grad school.

Now, as a student, I’ve worked with four authors as mentors, and I’ve worked with many other authors during the residencies but, to my shame, I haven’t read all their books. I’ve bought many, many of those books, which is probably half the battle, since professors need to make money and eat and whatever else it is that published authors do. I’ve had the professors sign those books, or my Kindle, if I bought the electronic edition. I have two or three shelves in a bookcase dedicated to profs’ books, but I’ve just not been able to read them. So I thought I’d start with the books written by my mentors and move on from there. Because Hollis spent so much time on my own novel, I decided to start with hers.

I loved it. And I’m not just saying this because Hollis held my hand as I struggled to end my novel this spring. Flesh is billed as a mystery, and it is, sort of. There is a murder at the beginning, there’s a list of suspects and a cop and a protagonist who becomes an unlikely sleuth. But more than that, it’s a character-driven novel featuring Suzanne Brown a.k.a. Suzanne LaFleshe, “the sexiest fat person in New York.”

It is Suzanne, more than the suspense, that kept me reading voraciously through to the end. “Voracious,” by the way, is a word of which Suzanne would approve. She is a woman of many intriguing appetites. She loves food, and makes desserts like key lime pie in the middle of January, just for the hell of it. She loves sex, and leaves her door unlocked so that her many lovers can drop in for a tryst. She loves academia, and is struggling to complete a dissertation on cannibalism in English literature.

The themes of fat and food and cannibalism and hunger are explored throughout the novel. And if that sounds grisly, it can be, sometimes. But the symbolic theme of hunger was fascinating to me. And the fact that Hollis writes with a wicked sense of humor just made the whole thing even better.

There is some tragedy associated with this book, and I don’t mean the murder that kicks off the plot. As soon as Flesh came out in 2005, the small press that published it went out of business. So although I hear rumors of other Suzanne LaFleshe manuscripts, there will be no more Suzanne LaFleshe books, and that is a sadness.

The strangest thing about reading a book written by your most recent mentor is what happens when you’re sitting in a camp chair for hours and the dust jacket starts riding up on the book:

I may have graduated, but Hollis still appears to be watching me.

Next up will be a novel by Rachel Basch, when I finish reading that.

Today I mowed the lawn.

I know this is not a big deal to most people. I know that most people view mowing as a nuisance. But I’ve never mowed before, so I came out of the experience feeling like a bad-ass.

The whole thing started this morning, when I returned from my daily walk with the dog. As we galloped up the sidewalk, trying  (and failing) to negotiate the “heel” command, one of my neighbors appeared and asked if my husband and I would like his push mower. The neighbor no longer needed it, since he recently paved and tiled his entire yard. This is a lawn care solution that I know my husband envies, but since I insist on having vegetation in the yard, and not stones, we decided to accept the push mower. I thought it would be a nice, green alternative to the weed whacker. My husband agreed with me, probably because I had a crazed I-want-that-push-mower look on my face.

My husband is in charge of yard tools for the most part, but this morning he was busy with work, so I went to the neighbor’s house to retrieve the push mower.

All of a sudden, I had a new toy. The neighbor showed me how to use it. It made a satisfying whirring noise. Oooh. It reminded me of that fun rumble action on an XBox 360 controller. I decided to try the mower out, just to see how it worked. I’d just mow the part between our sidewalk and the street, the little strip of grass that makes me nuts because it’s outside the hedge, and therefore invisible to my husband from his perch on our porch swing, and since it’s invisible, it sometimes ceases to exist for him. In order to get that weedwhacked, I must nag with all my might, occasionally invoking the City of Bridgeport’s blight ordinance, and how the city is desperate for cash and they will come by and fine us, someday, oh yes they will.

So I mowed that. It was kind of like the super-easy training level you get in video games, just to familiarize the player with the controls. No mini-boss, just exploration. Then I felt confident enough to move to the the front yard. Then I remembered that I have things to do today and I went inside and worked. But then I took a break and mowed part of the back yard. Then I went back inside and worked. And then I couldn’t stand it. I mowed the rest of the yard.

I realize it’s just a chore, but it felt like a revelation. It was always one of the jobs I felt like I had to wait for someone else to do; either my dad or my brother or a landlord or now, my husband. The division of labor along gender lines wasn’t a big deal in my house while I was growing up, but for some reason, mowing the lawn was always a man’s job. The one time I saw my mother mow a lawn, it ended in the death of a large lawn ornament and confirmed my childhood suspicions that God doesn’t want women to operate lawnmowers. But today, I had a sort of She-Ra, sister-is-doing-it-for-herself, empowering feeling when I was cutting that grass.

I realize that this feeling will fade pretty soon. Probably as soon as mowing becomes my particular chore, which will probably occur as soon as my husband reads this post. That said, I feel like I’ve overcome yet another prejudice I had about myself, and crossed off another item on my List of Self-Sufficient Things Everyone Ought To Be Able To Do. And that list is another post altogether.