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Now What MFA Guide

Yeah. Now what?

After I graduated from my MFA program in 2011, I wrote about how it can be a struggle to keep writing after getting a Masters of Fine Arts degree in fiction: you leave a ready-made community of writers and a system of built-in deadlines and head back out into the world, where life is waiting in the shadows, twirling its proverbial mustache and rubbing its hands together with wicked glee, just waiting to get in the way of your good writing habits.

So what do you do? I’ve tried to answer that question for myself on this blog a few times, but now I can share a project I’ve been working on with several other writers, which answers the question in much greater depth.

Allow me to introduce Now What? The Creative Writer’s Guide to Success after the MFA. It’s a non-fiction book containing essays by 46 contributors who all attempt to answer that very question: Now what?

The book’s electronic edition is being launched this very evening at the AWP conference, so if you’re out in Seattle right now, you should definitely head to the swanky launch party at the Seattle Art Museum tonight at 6:30 p.m. I won’t be there — I’m too close to my due date for travel —  but all sorts of fun people who are still allowed to drink will in attendance.

I worked as a chapter editor on this book for a little more than a year, so I can say with authority (because I’ve read my two chapters over and over and discussed other chapters with other editors) that although the book is aimed at MFA grads, you don’t need to be one to benefit from the book.

There are essays about finding agents, about the publishing industry, about working with writing groups and there’s one chapter, which I think will be very popular because it addresses the question of how to make ends meet while working on your masterpiece.

Definitely check it out if you’re at AWP this week. (I mean, there’s a party and you’re right there – why wouldn’t you go?) If you’re not there, check it out on Amazon, and if you’re more interested in a physical book, no worries; the paperback edition will be released in July. (Did I mention that the book also includes an article about e-books vs. physical books? Guess who contributed that one.)

 

Last night, I blogged about my horror of revising something as sprawling as a novel. Revising Beware the Hawk wasn’t so bad – it’s a novella. But a 300 page novel? That’s a project.

Now I want to ask the writing community: How do you go about your revisions?

Do you revise chapter by chapter? Do you look at the whole story? Do you print it out? Do you graph it?

I’m thinking of putting revision advice together for a future post. I would love it if you’d share your own tips. You can do that in two ways: Either leave a comment or emailing me at annjoconnell(at)gmail(dot) com. If I get a lot of good advice I will put all the tips up in an upcoming blog post, with attributions (so if you have a blog, also send me the url so I can link to you.)

I know that I might be blogging to an empty room here, since many of my writer friends are headed to the AWP conference in Chicago to chill with Margaret Atwood for the weekend. They are not checking their blog readers. They are running wild though tables of MFA programs and lit mags, tweeting writing advice gleaned from panels as they stuff swag into AWP tote bags.

But why should our AWP-bound buddies be the only ones to have a little knowledge dropped on them this weekend? There are plenty of us who are not in Chicago and who have wisdom to share. So let’s have our own online writers’ panel. How do you revise a long piece of work? Let me know.

It seems like every time Twitter comes up in conversation, at least one person wants to know what it is and why it’s important to be Twitter-literate (Twitliterate? Twiterate?)

Why, when there are so many ways to communicate, would you join a service that allows you to write only 140 characters worth of text at a time? My husband, who is new to the Internet, has referred to it as “texting the world.” Who wants to do that?

I’ve had some doubts of my own lately. But then the last two weeks happened and I witnessed a variety of things take place on Twitter. These events ranged from the historic (the unrest in Egypt) to the adorable (watching Rupaul learn to tweet) to the personally relevant (The Association of Writers & Writing Programs conference in Washington D.C.) After all that, I’m in love with Twitter again. Read more