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I often deliberately forget that I am having a novella published (in e-book form) in January.

The book is called “Beware the Hawk,” and it’s being published by Vagabondage Press and I really am very excited, but you’d never know it because over the Christmas holiday, I didn’t talk about it unless someone else brought it up. (Publishers, if you’re reading this, I am aware that this is not a viable marketing strategy.)

I think part of the reason that I push the book from my mind is this: people ask me what it’s about and – like Eminem in the opening scenes of 8 Mile – I choke.

I stammer something like “It’s about a girl, and spies. It’s funny. Well, I think it’s funny.” This is hardly the enthused, informative pitch I was taught in grad school to make. “What is it about” is a perfectly reasonable question; I’m the author and ought to know. But the question trips me up, maybe because I rarely think of a piece of my fiction as something that other people will read. For the most part, I doubt that the figments of my imagination will actually leave my hard drive and move out into the world.

I do have a couple of projects that are my golden children. If any of my work is published, I tell myself, it will be these privileged novels. I groom and prep them for publication. I submit them to my writers’ groups. I prepare myself to let them go.

“Beware the Hawk” was not one of these. I began writing “Beware the Hawk” when I was 23, worked on it with my very first writers’ group, and then – five pages from the end – abandoned the project when I was 25. I left it unfinished until this year. I was caught off guard by its acceptance this fall. To bring it back to the children metaphor: I expected it to grow up to be a drug dealer, but it’s surprised me by going to med school on scholarship.

Also there’s this – the characters and plot have been marinating in my brain for a decade. I’ve unconsciously built unmentioned back stories for each character. Like my houseplants, I neglected them, and they grew. The idea of summing up all of these thoughts and associations is daunting.

But not is not the time for such timidity. Now I must plot-summarize as if the devil himself were at my heels. The publishers tell me that the book will be out in the next three to four weeks, either on the 17th or on the 24th, and if I’m going to market it at all, I should learn how to describe it. The publishers have categorized it as a spy-satire, but I’ll need to be armed with a summary as I do the virtual book tour. With that in mind, I’ve come up with a list of ways to describe the contents of my novella.

“Beware the Hawk” is about:

i. …a young pink-haired Brooklynite who is a courier for a secret anti-government group, called the Resistance. She’s sent up to Boston to pick something up one night in winter, and everything goes wrong from the moment she steps off the Fung-Wah bus.

ii. …a young woman who desires to live outside society and its rules and who learns that this is not possible (particularly if one is fond of life in the city.)

iii. …making choices young and having to live with them.

iv. …failure.

v. …50 (virtual) pages long.

vi. …a girl, her iPhone, an inept co-worker, a hot mechanic and a leg injury.

Put all those together and that’s what it’s about, although I feel like a lot is still left out. Which is funny, since the book is only a 50ish page novella. No wonder J.K. Rowling unveiled her Pottermore website this year. Seven books and eight films and she still feels like she hasn’t adequately described the contents of her Harry Potter universe to us. Not that I’m going to be unveiling any “Beware the Hawk” web portals anytime soon.

I will however, be sharing the cover art with you. I got a peek at it tonight and I’m excited. The publishers will be sending the image to me just as soon as it’s finalized.

Like a runner in a marathon who stops for a drink of water handed out by some nice volunteer and then decides to stoop and tie her shoes, only to realize that she’s looking at the backs of all the people she was previously in front of, I am falling behind in my bid to complete a 50,000-word manuscript during the month of November.

I haven’t worked on my project in two days. It couldn’t be helped. I have a few other projects that need to be attended to this month. And, you know, life. Not that any of that is a valid excuse; I’ve known since the beginning of the month that I was going to have to halt word production a few times in order to keep other, more important, projects in motion.

What could be more important than a NaNoWriMo novel, you may ask? Let me tell you – a novel (novella, actually) that’s really, truly, honestly, going be published next year and needs edits. A class which I’m designing for my employer. My freelance income. A dire shortage of socks that’s been plaguing O’Connell household for a good week or so. Phyllis.

Still, all those seem like thin excuses for not novelling. The few thousand words that haven’t been written this week plague me, and tomorrow I catch up. I may try to type a little bit before sleep tonight, just to see if I can get a jump on tomorrow’s word count.

Actually, no. I just want to see if I can duplicate Saturday night’s sleep-typing incident.* Which, by the way, is actually a thing. In the comments on that post, two of my former roommates reported similar sleep-typing incidents (neither happened while I was living with either of them, unfortunately.) Check it out. One of the incidents is NaNo-related.

*By the way, I’ve worked a little more on that passage I wrote in my sleep. If you’ve been following these posts, you’ll be happy to know that Ted has resolved his gender issues. I still haven’t managed to figure out what a truck’s “babing” is, though.

So recently, this blog’s been a big ol’ mess of me complaining about things. Waah, Irene. Waaah, FEMA. Waaaah, writer’s block. Waaaaaaah, grocery shopping.

No more! I’ve stowed my box of Kleenex and called off the waahmbulance, because I’ve got some fabulous news. On Sunday, I received an email from Vagabondage Press, a small, independent publishing house. They will be publishing my novella “Beware the Hawk” (I think, technically, it’s a novelette) as part of their 2012 catalog!

What kind of book is it? Well, for my literary/MFA friends – it’s genre. It’s a spy thriller told in the first person by a strong female voice, and smartphones play a big role in the story. It’s set in Boston. For my family, I’m sorry – my protagonist drops a lot of F-bombs.

This is a piece I wrote years ago, when I was in my first writing group. One of the women in that writing group is a co-founder at Vagabondage. She asked to see the piece this summer.

I don’t have all the details yet, but I do believe “Beware” will be an e-book release. I’ll write more about that when I have more information.

Good lord. I’ve published short stories and poetry and countless news pieces, but this will make me the author of a book. This has been my goal since I discovered books as a child. I can’t remember a time when I didn’t want to write and publish a long piece of fiction.

Now it’s about to happen, and I have this weirdly muted excitement going on. I continue to stress about other projects, and every once in a while, I have this burst of hysteria when I remember that I’m going to have a book published. Now it’s not my end-game. Now it’s something that’s going to happen next year.

But what’s weird is that I somehow never looked beyond that final goal of writing a book. As a kid, I never had any plans beyond that. I was going to write a book and then… what? Be rich and famous, I guess. (Ha!) But now, I find myself thinking, wow, I’m going to be published, and still going on with the process of querying, writing, readying my long manuscript for the eyes of an agent and researching. It feels like I’ve pushed beyond the boundaries of my childhood ambition. It’s no longer “I want to write a book when I grow up,” now it’s “I want to write for the rest of my life.” And it feels like I can do that. I’ve spent the last several years writing, and the last two writing very seriously, but being an author feels like an actual career option now.

This is actually the third – and most exciting – piece of good news I have to share. The first piece of good news is that Vagabondage is publishing one of my short stories in their final issue of their lit mag, The Battered Suitcase, which will be available Oct. 1, and also, that another short story, “Final Statements,” will be published by Independent Ink Magazine sometime soon. I don’t have a date for the Independent Ink release yet, but when I do, I will tell you all.

I’m off to go yell “Wooo!” in the middle of my street.

"Freeze, Protagonist. Freeze for seven years."

This isn’t going to be a super-long post. It’s not going to be like my criz-azy long essay on Home Ec class, or how the story of the immaculate conception used to terrify me. This is going to be a relatively short, Phil Lemos-like post about what I did this evening.

Tonight, I finished a writing project that I started, and then abandoned, in 2004. It was an big project for me at the time, because it was the first story I presented in my very first writers’ group, and it was also the piece that introduced me to the three ladies who would become my longest-running writing group and some of my best friends.

I think I’ve mentioned that I have a problem finishing my stories. This particular piece was the poster child for all my aborted projects. I wrote it right to within an inch of the end. The heroine was in the woods. The gun was pointed at her. She had a lot of feelings about this. And then…  I stopped writing. I just left homegirl in the woods, at gunpoint, just like that, and closed the file for seven years. Sorry, protagonist. It’s been fun. Hope you like nature. Hope you like it a lot.

That piece has been bothering me ever since I closed the file in 2004. It became symbolic of all the projects I abandoned for no good reason. Well, no more. Prompted by a friend, I reopened the file, and spent a month revising and rewriting the thing. I did the last edits tonight. It’s done. My protagonist is finally out of the woods. (Literally. I changed the ending.)

None of my unfinished projects are safe now. I could tinker with any one of them at any point in time. You never know when I might strike.

Today, I’ve spent a lot of time dodging people, and trying to make the time to write and revise. It’s imperative that I make the time work today, because I have a half-revised novella on my hands, and I’m due to send it out next week. The prose ain’t gonna polish itself, amirite?

But for some reason today has not been a day of quiet, thoughtful work. It’s been an obstacle course. My phone is ringing. The dog is needy. My neighbor would like to talk to me, right now. Another neighbor has decided to start mowing his lawn with the loudest lawnmower ever invented. My husband, busy with his own job, needs me to run an errand. On that errand, I run into people who want to speak with me and ask me how my summer has been and what plans I have for fall. When I come back, my cat has decided to impress me by attempting to eat a Nintendo DS charger. Sweet lord.

I understand that none of these (except for the charger-eating cat) are unreasonable things. Running an errand while my husband is busy is no big deal, it’s good that my dog is affectionate, and most people actually like to make small talk. It’s polite. They’re being nice. I’m the unreasonable one.

None of the people I met this morning know that I’ve been revising in my head since I woke up. None of them know that while they are talking about their plans for the rest of August, I’m thinking Do I just cut out the first two pages? But then how can I make the opium den believable? And do I really have to lose the part about the chickens on the Fung-Wah bus? I mean, come on. Everyone likes chickens.

No. The people I met this morning just think I’m a rude, distracted-looking woman who hasn’t showered today, and was late for my errand thanks to two wrong turns and a near accident. It’s probable they think I have a decreased mental capacity, or that I’m insane and need to be confined.

Evidently I think I need to be confined as well. Right now I’m holed up in my office, hunched over my laptop. I’ve seen myself in the mirror. I look like a crazy person. Maybe we should pad the walls in here.

Why am I writing this instead of revising? Two reasons.

First, because I need to vent. I’m afraid that if I don’t vent, I’ll burst into tears and shriek Leave me alone, I’m thinking about chickens and whisper videos, dammit! at the next person who asks me how I’m doing today.

Second, because I think it’s important to write and think about making the time to work. So often, I put off the things I want or need to do because people are calling me, or because I forget that writing is my job, or because I enjoy writing so much that it can sometimes feel like play. But writing is work, and in this case, for me, it’s serious work because someone is waiting for it. This is a discussion writers need to have often, because I think many of us forget that writing isn’t just fiddling around with a pen and paper or a keyboard. It’s serious work, and requires a commitment.

And now that I’ve said all that, I’m hitting the “publish” button and logging out so that I can get to work.

Now.