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This is the sort of thing you could see all the time if you followed my author page on Facebook.

Remember how yesterday, I posted that my proof for the physical copy of Beware the Hawk was coming very soon? Well it did – I got it yesterday, and everyone who follows my Facebook fan page was forced to look at a crazy photo of me holding it.

It was amazing. I ran around the house like a little kid. I stared at it. I read it. I stared at it some more. I waved it at my husband. It’s right next to me now.

And then I talked to my father on the phone and he told me that this week’s issue of my hometown newspaper, The Town Times, ran an announcement about my upcoming appearance at the Watertown Library. Now, I used to work at a local paper. I’ve placed people’s announcements. It was no biggie. If there was enough space for them, I put them in. Nothing to get worked up about. I could understand people getting excited if a reporter wrote about them and someone came out to take a photo, but a press release? Not exciting.

Well, I don’t know when I got un-jaded.

When my father told me that my press release was in the Town Times I flipped. I freaked out like Time Magazine had named me Person of the Year. Why? I don’t know. Probably because when I was a kid, it was my great ambition to make it into the Town Times. Whenever a photographer from the Town Times went to anything, I tried desperately to look extra involved in whatever they were photographing so that they would take my picture. And then the paper would come on Thursday and I inevitably wouldn’t be in the photo and I’d sulk.

Clearly this attention-hungry child lives on within me.

You know, if I knew I’d get this much of a rush from being in the Town Times, I would have let my mom submit my wedding announcement.

Who knows? Maybe my desire to get into journalism came from my weekly desire to see myself in the Town Times. I knew that I’d be guaranteed a byline whenever the paper came out. All in all, today was a very good day to be a writer from Oakville.

News!

The official release date was tomorrow, but I’m told that my  book, Beware the Hawk, is already available on Amazon.*  There will still be a lot of hubbub tomorrow – I’m starting my blog tour over at WordVagabond and the book will be available at Vagabondage Press (no relation), but this is like a soft opening.

Signing Pen

A mentor gave me this pen to use at my very first book signing. I was bummed that I wouldn't be able to use it - until now.

So, for those who have asked, Beware the Hawk is an e-book. This is awesome for lots of reasons – it’s easy to download, it stays in print forever, it doesn’t weigh anything and it’s not killing trees. In short, it’s kinda made of magic. But one thing you can’t do with an e-book? You can’t sign it.

That’s a bummer, because book signings are fun. One of my writers’ groups once published an anthology and held a book signing and it was amazing. I could have signed books all night. I considered coming home and signing every book in my bookshelves, but luckily my roommate at the time, (who was also in the writers’ group, but who also had books on the shelves that she probably didn’t want me to deface) distracted me.

I digress.

Anyhow, I was sort of saddened by the fact that there would be no book signing at first, and then, during a conversation on Facebook, I realized that I don’t need to have a physical book to have a signing. In fact I don’t even need to be in the same room with everyone to have a signing. Here’s the deal.

From now until next Monday (Jan. 23, 2012), people who buy the book can send me an email with their mailing address. I’ll send you an autographed Post-It that you can put on your Kindle, Nook or computer while you’re reading my book. Not very fancy, perhaps, but who doesn’t like getting mail that’s not a bill?

So, if you want your autograph, send your mailing addresses to annjoconnell<at>gmail<dot>com. (Just until Jan. 23. Because this week is a special week.)

Then keep an eye on that mailbox. Now, if only I could figure out how to do a virtual reading.

* If you want to help a woman out, get it from the Vagabondage Press site. Both the publishers and I get better royalties and you get the book in three formats. Also, why reward Amazon for releasing the book early?

As my MFA program winds down, I’m seeing lots of members of my cohort (that’s MFA-speak for “my class”) writing Facebook statuses that look like this:

Joe Schmo has typed the last words.

Jane Doe sending her thesis out, OMG collapsing brb.

BobTodd just typed THE END.

I’m going to be honest. While I’m happy for my classmates and proud of their accomplishments, I’m jealous. The portion of my novel that is acting as my thesis is  complete, but I want to type THE END. And I thought the end was imminent (and not in a Harold Camping kind of way). Two weeks ago I wrote that I was beginning to write the end of the novel, and I was, but here’s the thing – the end of the novel just keeps getting further and further away.

The excellent Phil Lemos (who typed THE END on May 16) recently blogged that he was proud to have finished his novel. He wrote that he had started many novels in his life:

I emphasize the word “start,” because I would always get about 20 pages in before something else would command my attention — birthday parties, homework, the latest comic book — and I would toss the novel aside.

I know the feeling. I have a filing cabinet drawer dedicated to dead novels. Below are a few examples of the things that languish in my little drawer of horrors:

•There’s one novel, written when I was 15 years old, which thankfully petered out by the time I turned 16. I wrote about drinking and drugs and lots of other things I had no experience with as a 15-year-old. As a result of my innocence, bizarre things happen. My characters take one sip of beer and are wasted. Someone walks by a pot smoker and suddenly starts acting as if they’ve been dropping acid. It’s like Reefer Madness, but in the form of a bad novel. I should have thrown this manuscript out when I was in college, but I keep it as a reminder of how bad my writing can be.

•There’s another, almost complete novel, which features dinosaurs and a theme park in a dying Midwestern mill town. It’s a really good science fiction novel, if  I do say so myself, and I’m very proud of it. I hope to salvage it someday by rewriting everything in third person, because it does have some flaws. The biggest flaw?  Michael Crichton already wrote it. It’s called Jurassic Park.

• There’s an action novella (written before Sept. 11) featuring a reluctant member of a domestic terrorist group who is forced to go to Boston in order to  pick up a mysterious package. That piece is almost done. I’ve already written the ending. It’s missing two pages, right between the ending and where I stopped writing. It’s been like that for a decade. Just two pages.

And there’s my real problem, because that’s where I always stop writing. I write the end. I write almost all the way up to the end, and then I stop. I get distracted by life, or, more likely, by another novel idea.

I’ve overcome some of these obstacles. I’ve been dragging my feet creatively for some time, but I’ve stayed strong – I’m writing at least 500 words every day. And last month I knew I must be getting near the end because I came up with a new novel idea, an opening scene and a soundtrack to listen to while writing it. I jotted down some notes and resisted it. I kept on plugging along with my current project.

But now I realize that I’m falling into my old habits. I’ve already written the last page. And I’m trying to close the gap between where I am now – which seems not far from the end – and that final couple of paragraphs. Two weeks ago I thought the end was very, very close. No more than a day or two of writing.

But the more I write, the more it seems like I’m just filling out my daily word count and not advancing the plot. All of a sudden my protagonist heads off to do something completely unrelated to the story. Or stands in a park, musing. Could it be that I’m actually trying not to finish the novel? Am I afraid to say good bye to the characters? It seems more likely that I’m just afraid to finish my draft.

Why? Maybe because  a finished draft brings me one step closer to being accepted, rejected  or ignored by agents, publishers, the reading public and potentially by my friends and family. Or maybe I just like a little self sabotage to spice up my semester.

Or maybe it’s none of those things and I’m just the slow kid in class. It always did take me longer to eat my lunch and finish my math homework.

For me, books can be like hard candy. You get a bag of Jolly Ranchers,  you rip it open and maybe you immediately eat one of your favorite flavors first, as a sort of opening-the-bag celebration.  But, then if you’re like me, you start eating all your least favorite flavors, so that what’s left in the bag – eventually – is a big pile of watermelon and sour apple. Heaven.

There are probably more moody black and white portraits of Joan Didion than of any other writer. If you print them all out and staple them together in a flip book, you can actually watch her age.

That’s how I’ve been treating the work of Joan Didion. I’ve loved Didion since a newspaper editor gave me The White Album as part of a newsroom Secret Santa gift exchange. I was 23, loved my job, and Didion’s essays sang to me. I’d never read prose like that before. I spent months on that book. I pored over each essay, reading each word twice, but I was stingy with myself, squirreling the essays away like sour apple Jolly Ranchers, and savoring that wonderful first-read feeling.

I have not read Slouching Toward Bethlehem yet. I know I will love it, so I am saving it for later.

Joan D.  is a two-edged sword, however. On the one hand, her work is heartbreakingly beautiful. On the other hand, it’s also just heartbreaking. I read Play it As it Lays this past spring and emerged from the novel feeling like I’d gotten drunk and then had a three-hour phone conversation with a friend who makes bad choices.

Below the page break is the craft essay I wrote about point of view in that novel.

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